Time is Life

“The saying ‘time is money’ is familiar, but a more correct version of it would be ‘time is life.’ Our life is measured out in time. What we spend time on is what we spend life on. Père Ghislain Lafont applies this truth to prayer:

I remember that one day a novice came to ask me: ‘But what does it mean to give oneself to prayer? What is praying?’ I proposed to him this definition: ‘To pray is to give time to God.’ Time, that is, a quantity measurable on one’s watch, because I believe that time is life. A man who uses his time to pray . . . truly shows to what point this activity directly ordered to God is important to him. It is a manner of laying down one’s life.”

—Dr. Peter Kwasniewski, Reclaiming Our Roman Catholic Birthright: The Genius and Timeliness of the Traditional Latin Mass

On Worship ‘Ad Orientem’

“It was much to the devil’s advantage to turn the priest around to the people, creating a charmed circle of neighborly affirmation that brought the experience of the Mass down to the level of a horizontal exchange, a back-and-forth in everyday speech. There is nothing transcendent about that; on the contrary, God is domesticated, tamed, manipulable — not a recipient of sacrifice but a subject of conversation.”

Source: www.newliturgicalmovement.org/2018/11/how-contrary-orientations-signify.html

The Tension

“I was hiking in the Adirondacks. I was standing on the bank of a wide, tumultuous river. The water was moving with incredible speed and ferocity. It looked dangerous, mighty, and much more powerful than I. Yet it was exactly as it should be, and in that, it possessed some kind of restfulness. As I watched it flow by, I felt a tinge of sadness, almost like envy but without the weightiness: how I wished to know my part in all of it, to move with that same confidence and serenity, unafraid of the gifts God has given – unafraid of letting his power crash its way through my life.

I have often felt that way when I’m in nature. I’ve never seen a tree going through an existential crisis –  It must be nice to be so rooted, physically and metaphysically. But God became man, not a tree; so I’d rather take the tension.”

—Alanna Marie Boudreau

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A Fallen Rose

Jesus, to aid thy feeble powers
     I see thy Mother’s arms outspread,
As thou on this sad earth of ours
     Dost set thy first, thy faltering tread:
See, in thy path I cast away
     A rose in all its beauty dressed,
That on its petals’ disarray
     Thy feet, so light, may softly rest.
Jésus, quand je te vois soutenu par ta Mère,
     Quitter ses bras,
Essayer en tremblant sur notre triste terre
     Tes premiers pas,
Devant toi je voudrais effeuiller une rose
     En sa fraîcheur
Pour que ton petit pied bien doucement repose
     Sur une fleur!…
Dear Infant Christ, this fallen rose
     True image of that heart should be
Which makes, as every instant flows,
     Its whole burnt-sacrifice to thee.
Upon thy altars, Lord, there gleams
     Full many a flower whose grand display
Charms thee; but I have other dreams—
     Bloomless, to cast myself away.
Cette rose effeuillée, c’est la fidèle image,
     Divin Enfant,
Du coeur qui veut pour toi s’immoler sans partage
     A chaque instant.
Seigneur, sur tes autels plus d’une fraîche rose
     Aime à briller.
Elle se donne à toi… mais je rève autre chose:
     “C’est m’effeuiller!…”
Dear Lord, the flowers that blossom yet
     Thy feast-day with their perfume fill;
The rose that’s fallen, men forget
     And winds may scatter where they will;
The rose that’s fallen questions not,
     Content, as for thy sake, to die.
Abandonment its welcome lot—
     Dear Infant Christ, that rose be I!
La rose en son éclat peut embellir ta fête,
     Aimable Enfant;
Mais la rose effeuillée, simplement on la jette
     Au gré du vent.
Une rose effeuillée sans recherche se donne
     Pour n’être plus.
Comme elle avec bonheur à toi je m’abandonne,
     Petit Jésus.
Yet those same petals, trampled down,—
     I read the message in my heart—
In patterns here and there are blown
     That seem too beautiful for art:
Living to mortal eyes no more,
     Rose of a bloom for ever past,
See to thy love a life made o’er,
     A future on thy mercy cast!
L’on marche sans regret sur des feuilles de rose,
     Et ces débris
Sont un simple ornement que sans art on dispose,
     Je l’ai compris.
Jésus, pour ton amour j’ai prodigué ma vie,
     Mon avenir.
Aux regards des mortels, rose à jamais flétrie
     Je dois mourir!…
For love of Loveliness supreme
     Dying, to cast myself away
Were bright fulfillment of my dream;
     I’d prove my love no easier way;—
Live, here below, forgotten still,
     A rose before thy path outspread
At Nazareth; or on Calvary’s hill
     Relieve thy last, thy labouring tread.
Pour toi, je dois mourir, Enfant, Beauté Suprême,
     Quel heureux sort!
Je veux en m’effeuillant te prouver que je t’aime,
     O mon Trésor!…
Sous tes pas enfantins, je veux avec mystère
     Vivre ici-bas;
Et je voudrais encor adoucir au Calvaire
     Tes derniers pas!…
—Tr. R. A. Knox (1888-1957) —Ste. Thèrèse de l’Enfant Jésus
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A homily of St. Jerome, Priest

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“Out of respect and honor for Matthew, the other Evangelists did not wish to give him his usual name. They called him Levi; for he had two names. But Matthew (according to the saying of Solomon, ‘The just man is the first to accuse himself,’ and again, ‘Confess your sins that you may be justified’) calls himself Matthew and a publican, to show his readers that no one need despair of salvation if he is converted to better things, since he himself was suddenly changed from a publican into an Apostle.”

Bl. Cardinal Alfredo Ildefonso Schuster

I close my eyes, and while my lips murmur the words of the Breviary which I know by heart, I leave behind their literal meaning, and feel that I am in that endless land where the Church, militant and pilgrim, passes, walking towards the promised fatherland. I breathe with the Church in the same light by day, the same darkness by night; I see on every side of me the forces of evil that beset and assail Her; I find myself in the midst of Her battles and victories, Her prayers of anguish and Her songs of triumph, in the midst of the oppression of prisoners, the groans of the dying, the rejoicing of the armies and captains victorious. I find myself in their midst, but not as a passive spectator; nay rather, as one whose vigilance and skill, whose strength and courage can bear a decisive weight on the outcome of the struggle between good and evil, and upon the eternal destinies of individual men and of the multitude.”

Little Verses from Holy Week

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Desístite, et agnóscite me Deum, excélsum in géntibus, excélsum in terra!

Desist! and confess that I am God, *
exalted among the nations, exalted upon the earth.

Wednesday of Holy Week | Ps 46:11


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Ego autem semper tecum ero;
apprehendísti manum déxteram meam.

Yet with you I shall always be; *
you have hold of my right hand.

Thursday of the Lord’s Supper | Ps 73:23


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Dómine, coram te est omne desidérium meum,
et gémitus meus te non latet.

O Lord, all my desire is before you; *
from you my groaning is not hid.

Friday of the Lord’s Passion and Death | Ps 38:10


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Exsúltat ut gigas percúrrens viam.

A strong man runs his course with joy.

Holy Saturday | Ps 19:5

From a letter by St. John of the Cross to Sr. Leonor de San Gabriel

The more he wants to give, the more he makes us desire, til he leaves us empty so as to fill us with blessings … God’s immense blessings can only fit into a heart that is empty. They come in that kind of solitude. For this reason, the Lord would love to see you, since he loves you so well, well and truly alone, intent on being himself all your company. And your Reverence will have to take heart and be content only with his company, in order to find all contentment in that; for even if a person were in heaven, if she didn’t align her will to want it, she wouldn’t be content.”

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On the feast of our Holy Father

“Once in the dark of night,
my longings caught and raging in love’s ray
(O windfall of delight!)
I slipped unseen away
as all my home in a deep slumber lay.

Secure, in more than night,
close hid and up the stair a secret way
(O windfall of delight!)
in the night, in feigned array
as all my home in a deep slumber lay.

There in the lucky dark,
stealing in secrecy, by none espied;
nothing for eyes to mark,
no other light, no guide
but in my heart: that fire would not subside.

That led me on—
that dazzle truer than high noon is true
to where there waited one
I knew—how well I knew!—
in a place where no one was in view.

O dark of night, my guide!
O sweeter than anything sunrise can discover!
O night, drawing side to side
the loved and lover,
the loved one wholly ensouling in the lover.

There in my festive breast
walled for his pleasure-garden, his alone,
the lover remained at rest
and I gave all I own,
gave all, in air from the cedars softly blown.

All, in wind from the wall
as my hand in his hair moved lovingly at play.
He let my soft fingers fall
and I swooned dead away
wounded: all senses in oblivion lay.

Quite out of self suspended—
my forehead on the lover’s own reclined.
And that way the world ended
with all my cares untwined
among the lilies falling and out of mind.”

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—San Juan de la Cruz, La noche oscura del alma
Tr. John Frederick Nims

Come, My Chosen One

For this feast of St. Cecilia, virgin-martyr of the early Church and patroness of musicians, I wanted to share one of my favorite antiphons from the Divine Office. It is so simple, but the words and the music just seem to “rhyme” (as my man Gerard Manley Hopkins might say)—there is a harmony between the melody and the language which exemplifies the very best of chant, which speaks straight to the heart.

The Bridegroom is speaking here to the bride. “Come!” he cries from the heights, like a trumpet blast—then, tenderly: “my chosen one,” as the antiphon drops a third. The musical movement mirrors the Incarnation: the ultimate miracle! that God became man so that man might become God: “that I may dwell in your heart,” as he sings with “a lingering-out sweet skill” (to quote G.M.H. again)—and that you may dwell in Me. Notice how the notes descend on “dwell” and then rise on “in your heart!” Down and up: down to the heart of the bride, up to the hearth of the Bridegroom, forever and ever and unto the ages of ages, amen.

Music Credit: Midday Prayer, Common of Virgins, Mount Angel Abbey. All rights reserved. Contact: Choirmaster, 1 Abbey Drive, St. Benedict, Ore. 97373.